DANIEL WOHL

Website: www.danielwohlmusic.com

(Abbreviated Credits)

FEATURE FILMS/DOCUMENTARIES

They’ll Love Me When I’m Dead

Veronica

Mother! (Orchestrator)

Elixir

The Fly Room

The Color of Time

TELEVISION

The Search Party

Project Blue Book

BIOGRAPHY

Born and raised in Paris and currently residing in Los Angeles, Daniel Wohl's music blends electronics with acoustic instrumentation to often "surprising and provocative effect" (NPR). He has produced albums, orchestral and chamber works, film, television and ballet scores, and has received critical praise as one of his generation’s "imaginative, skillful creators" (New York Times) making music that is "beautiful...original" (Pitchfork).

Recent performances of his music have been held at the Broad Museum, MASS MoCA, the Hollywood Bowl, Carnegie Hall, The Barbican, Sadler's Wells, the Holland Festival and MoMA PS1. His music has been performed/commissioned by a number of ensembles such as the San Francisco Symphony (Soundbox series), the Chicago Symphony Orchestra (MusicNOW series), the Los Angeles Philharmonic, The London Contemporary Orchestra, New York Youth Symphony, the Bang on a Can All-Stars, the American Symphony Orchestra, eighth blackbird, So Percussion, the Calder Quartet, and the Mivos Quartet among others. He has also collaborated on albums/scores/performance projects with Jóhann Jóhannsson, Luca Guadagnino, Patty Jenkins, Morgan Neville, Dee Rees, David Lang, Julia Holter, Son Lux, and Holy Other.

Daniel completed the scores for Berlinale selections Elixir (2015), Veronica (Netflix) (2017) as well as The Color of Time with (James Franco, Jessica Chastain and Mila Kunis). He is also writing the music for television shows "Search Party" (TBS), Robert Zimeckis' Project Blue Book, and They'll love me When I'm Dead a documentary by Morgan Neville for Netflix about Orson Welles. He's also contributed new arrangements of Vangelis' theme for the trailers to Blade Runner 2049.

Recent and upcoming projects include, 8 minutes, a new ballet score for London's Sadler's Wells choreographed by Alexander Whitley - performances with the London Contemporary Orchestra (Kings Place, UK), and Slagwerk den Haag (Rewire, NL) - as well as a new piece for the Minneapolis based band Polica and the S t a r g a z e ensemble commissioned by Symphony Space (NY) and the Cross Linx Festival (Netherlands). He recently held residencies at MASS MoCA (2016) and Yaddo (2017).